I am sorry to have switched to a newer format, but Blogger wouldn't provide access to all its features unless I did. So many tekkies confuse change with improvement.
Poems by Richard Epstein. Not much commentary, only one picture (sorry, Alice), and little disruption: just a place to find poems by Richard Epstein
Friday, July 20, 2012
Thursday, June 07, 2012
Oh, and thanks
I am grateful to all of you who read here, you know, even if most of you are too wonder-struck to comment. (The last three comments I received, and rejected, were thinly disguised ads for an editorial service, which is not exactly overwhelming, as compliments go.) Keats may have found unheard melodies sweeter, but poems like to be read. They told me so.
Wednesday, April 18, 2012
Agitprop
Just as a working hypothesis: if your readers are arguing about the paraphrasable content of your poem, your poem is not a success. What's the first thing you think about when you think of, say, "Sunday Morning"? "Death isn't really the mother of beauty -- that's a neo-capitalist platitude, designed to distract labor from its dire plight"? No, I didn't think so. Or "Leda and the Swan" -- "If the campus administrators had issued her a really powerful whistle and properly trained her in Krav Maga, this could all have been avoided"? No?
Sunday, April 01, 2012
Like a Requiem
for Michel, in loving memory of his wife, Lili
On mornings when there's no one else to tell
the paper still arrives. The milkman makes
dogs bark at 5 a.m. The sun comes up,
unjustly bright, exactly as you saw
it overspread your coffee and bad news.
The news read round the clock is uniform.
Everyone is dying for more life,
the radio says. The mailman's on his way,
bringing the bills that say how much it costs
to see the sun again. When you were here,
day smelled like mint and sage. Nobody had
the same day you had. Stars took special shapes,
the constellations Ampersand or Love.
Here in our garden grass grows now. The sun
rises, shines some, and passes down the west,
like requiems, which, skillful, sound the same,
whoever writes or plays them. It is not
events which give a form to forms; it was
you, and the grass grows, dogs bark, men drive off
to do what men do when they have no choice.
I wrote this poem on commission from Michel Brochetain, who wanted it for his splendid Russian art site,
www.brochetain.ca
It's worth your time and attention.
On mornings when there's no one else to tell
the paper still arrives. The milkman makes
dogs bark at 5 a.m. The sun comes up,
unjustly bright, exactly as you saw
it overspread your coffee and bad news.
The news read round the clock is uniform.
Everyone is dying for more life,
the radio says. The mailman's on his way,
bringing the bills that say how much it costs
to see the sun again. When you were here,
day smelled like mint and sage. Nobody had
the same day you had. Stars took special shapes,
the constellations Ampersand or Love.
Here in our garden grass grows now. The sun
rises, shines some, and passes down the west,
like requiems, which, skillful, sound the same,
whoever writes or plays them. It is not
events which give a form to forms; it was
you, and the grass grows, dogs bark, men drive off
to do what men do when they have no choice.
I wrote this poem on commission from Michel Brochetain, who wanted it for his splendid Russian art site,
www.brochetain.ca
It's worth your time and attention.
Friday, March 09, 2012
as the body is one, and hath many members
As time goes by, my verse seems to become more supple, more flexible, which makes it the mirror image of my physical body. Let us hope that the body of my verse and the body of my body demonstrate that "as the body is one, and hath many members and all the members of that one body, being many, are one body."
Monday, March 05, 2012
from Days of Our Lives
9
That year I saw 3, maybe 4 great men.
I don't recall what pearls they had to drop,
what they looked like, the timbre of their voices
or suits. I talked once, maybe for 3 minutes,
to a lapis-eyed blonde who didn't know my name.
I knew hers, remember every word,
and have concocted several dozen lives
of swift conclusion. All end up inside
her. At 2 a.m. at the Rockybilt counter,
hard and bright as a Hopper, I could drink
coffee, mop up secret sauce, and wonder
how anyone had ever finished James,
if Strether would find Bohemia in Paris,
whether he'd "live" and why anybody cared.
That year I saw 3, maybe 4 great men.
I don't recall what pearls they had to drop,
what they looked like, the timbre of their voices
or suits. I talked once, maybe for 3 minutes,
to a lapis-eyed blonde who didn't know my name.
I knew hers, remember every word,
and have concocted several dozen lives
of swift conclusion. All end up inside
her. At 2 a.m. at the Rockybilt counter,
hard and bright as a Hopper, I could drink
coffee, mop up secret sauce, and wonder
how anyone had ever finished James,
if Strether would find Bohemia in Paris,
whether he'd "live" and why anybody cared.
Tuesday, February 28, 2012
from Days of Our Lives
15
The chemlab flash fired in a sunburst
of eyebrows and steam, the alarms claiming
the end of class, the sprinklers playing April,
and happy singees coughing into the sunlight.
Learning seeps in, pore-wise, or explodes in-
appropriately in the absence of
loco parentals. So under dormers,
beneath graduation gift patchwork quilts,
the love of clear-cut classes multiplies
beyond reason, without regard, ungraded,
and altogether traditionally.
If by the next day the glass is swept up,
the puddles all expunged, the windows boarded,
youth blooms eternal, for a little while.
The chemlab flash fired in a sunburst
of eyebrows and steam, the alarms claiming
the end of class, the sprinklers playing April,
and happy singees coughing into the sunlight.
Learning seeps in, pore-wise, or explodes in-
appropriately in the absence of
loco parentals. So under dormers,
beneath graduation gift patchwork quilts,
the love of clear-cut classes multiplies
beyond reason, without regard, ungraded,
and altogether traditionally.
If by the next day the glass is swept up,
the puddles all expunged, the windows boarded,
youth blooms eternal, for a little while.
Friday, February 17, 2012
Google's quote of the day,
from Flannery O'Connor: Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them.
Thank you, Ms O'Connor.
Thank you, Ms O'Connor.
Thursday, February 02, 2012
If you have to choose
Well, yes, you can find me on Facebook, and I'll be happy to note your favorite movies and relationship status; but if your time is limited, and you have to choose, visit me here. Here be poems.
Thursday, January 19, 2012
Nepotism? Anyone?
If any of you regular readers (you know who you are, all 3 of you) have close family members who are like Carly Simon's father, don't be embarrassed to point them in this direction. I'm like Arlo Guthrie -- "I'm not proud...or tired."
Tuesday, January 10, 2012
For Dr Feldman: After Martial
Your standards, Burton, force you to condemn
A verse not passed into an apothegm.
Forgive me, will you, if I do not die
To earn the moist approval of your eye.
A verse not passed into an apothegm.
Forgive me, will you, if I do not die
To earn the moist approval of your eye.
Thursday, December 29, 2011
Expunging the visible world
From an obit for Helen Frankenthaler in the WSJ:
Frankenthaler belonged to the second generation of the New York School, whose guiding light was the critic Clement Greenberg. Greenberg held that the essence of modern painting was the expunging of all references to the visible world and an emphasis on painting's purely formal elements—the flatness of the canvas support and the colors arrayed across it.
I post this just in case you're lying awake at night, wondering why "modern painting" doesn't interest me.
Frankenthaler belonged to the second generation of the New York School, whose guiding light was the critic Clement Greenberg. Greenberg held that the essence of modern painting was the expunging of all references to the visible world and an emphasis on painting's purely formal elements—the flatness of the canvas support and the colors arrayed across it.
I post this just in case you're lying awake at night, wondering why "modern painting" doesn't interest me.
Tuesday, December 27, 2011
From the mailbag:
The end of the year does not mean the mailbag is overflowing with copies of Grace Abounding to the Chief of Sinners.
"RHE, have you ever wonder why nobody cares? Maybe because no one can understand ennything you say?"
I have. There was this one guy, once, who understood something I said, but he died.
"Yo, could you write a sestina about Un ballo in maschera ?"
Yo. No.
"Who's better, Auden or Frost?"
Lou Brock. I'd give up Ernie Broglio just to get him on my team.
"RHE, have you ever wonder why nobody cares? Maybe because no one can understand ennything you say?"
I have. There was this one guy, once, who understood something I said, but he died.
"Yo, could you write a sestina about Un ballo in maschera ?"
Yo. No.
"Who's better, Auden or Frost?"
Lou Brock. I'd give up Ernie Broglio just to get him on my team.
Wednesday, December 14, 2011
The Year in Review
I did not win the Nobel Prize for Literature.
I did not get a 10-year extension from the Angels (or, come to think of it, the Devils).
I am not going to be the Republican nominee. Probably.
I did not read any of my poems at the Super Bowl halftime show. (N.B. I have written new poems since then.)
Neither Brad Pitt nor Tilda Swinton is playing me in a new biopic. (On the plus side, neither is Cee Lo Green nor The Swedish Chef.)
My new budget is deadlocked in committee. If it isn't passed (and funded) soon, I may have to shut down.
Last time I looked, at least 3 of the authors on the NYT bestseller list were dead. (In several more cases one just couldn't tell.) This offers me promise for the future.
I did not get a 10-year extension from the Angels (or, come to think of it, the Devils).
I am not going to be the Republican nominee. Probably.
I did not read any of my poems at the Super Bowl halftime show. (N.B. I have written new poems since then.)
Neither Brad Pitt nor Tilda Swinton is playing me in a new biopic. (On the plus side, neither is Cee Lo Green nor The Swedish Chef.)
My new budget is deadlocked in committee. If it isn't passed (and funded) soon, I may have to shut down.
Last time I looked, at least 3 of the authors on the NYT bestseller list were dead. (In several more cases one just couldn't tell.) This offers me promise for the future.
Sunday, November 27, 2011
From the Mailbag
Dear Dr. or Professor Epstein,
Is marriage between two siblings, one adopted and one birth, forbidden by the consanguinity laws?
Who exactly do you think I am? In any event, I'd refer all such questions to Jerry Lee Lewis and Dick Clark.
RHE--
How long are you going to keep this up?
How long you got?
RHEpoems,
WTF?
Try a comma after the W.
Is marriage between two siblings, one adopted and one birth, forbidden by the consanguinity laws?
Who exactly do you think I am? In any event, I'd refer all such questions to Jerry Lee Lewis and Dick Clark.
RHE--
How long are you going to keep this up?
How long you got?
RHEpoems,
WTF?
Try a comma after the W.
Wednesday, November 16, 2011
From the mailbag
Are you for real?
No, I'm really not.
I like your poems very much and they sound intelligent but I don't understand them. What do you think I should do?
Read them just because you like them. I understand them, mostly, and it hasn't helped me all that much.
Are you available for children's parties and bat mitzvahs?
Sorry, I can't do balloon animals. The screechy sound the balloons make paralyzes my central nervous system.
No, I'm really not.
I like your poems very much and they sound intelligent but I don't understand them. What do you think I should do?
Read them just because you like them. I understand them, mostly, and it hasn't helped me all that much.
Are you available for children's parties and bat mitzvahs?
Sorry, I can't do balloon animals. The screechy sound the balloons make paralyzes my central nervous system.
Wednesday, October 26, 2011
From the Mailbag
Here and at the other places where I read your comments you are such a know it all. You think you know everything don't you?
I don't know.
I don't know.
Thursday, October 13, 2011
From the mailbag:
RHE, you've got a lot of gaul.
Yes, they said that to Caesar, too. Come see me again in March, sometime around the Ides.
I took one of your poems to class. My teacher said it was blank. I told her it wasn't and tried to show her, but she is a teacher and does not listen.
Many teachers are honorable practitioners of a noble profession. Not all. You should have told her it was a printer error.
Why do you like Kipling so much?
Aw, come on--this is just too easy.
RHE
Yes, they said that to Caesar, too. Come see me again in March, sometime around the Ides.
I took one of your poems to class. My teacher said it was blank. I told her it wasn't and tried to show her, but she is a teacher and does not listen.
Many teachers are honorable practitioners of a noble profession. Not all. You should have told her it was a printer error.
Why do you like Kipling so much?
Aw, come on--this is just too easy.
RHE
Thursday, September 08, 2011
Poetry Proper 3
is now available online. I'll bet you can't imagine why I'm telling you this.
http://www.scribd.com/doc/64246923/Poetry-Proper-3rd-Issue
http://www.scribd.com/doc/64246923/Poetry-Proper-3rd-Issue
Thursday, September 01, 2011
Following
Thanks to those who, mysteriously, are "following" this blog, especially since I know almost none of you, so, as Gatsby might say, there's nothing merely personal about it. Much obliged.
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