The sun shines, the stars shine, the breezes blow.
Yes, yes, the grasses do their stuff: they grow.
Leaves cycle through their tricks: first come, then go.
I'll bet the brook is babbling, birds are tweeting.
M. Nature, smiling, seems to bear repeating
With equanimity. Wow. It's just like meeting
Old Uncle Albert, who keeps telling stories
Worn when Trajan, new to his martial glories,
Heard them and giggled. As do all old tories,
Then praise the miracle of repetition.
And you are dead and given up to fission.
The oldest story. Used without permission.
Poems by Richard Epstein. Not much commentary, only one picture (sorry, Alice), and little disruption: just a place to find poems by Richard Epstein
Friday, June 17, 2011
Friday, May 06, 2011
Marcus Antonius
I threw it all away for love,
They say, but never what "it" is,
More important than what I kept,
Some qua superior to bliss,
That never, ever rhymes with "dove,"
And much more manly. Jesus wept.
You ever ride in a trireme, bud?
Better to fall on your sword or asp.
Drink while you can. Our day was done
The instant Old Baldy learned his grasp
Would not slip though slick with blood.
She can be my Rubicon.
They say, but never what "it" is,
More important than what I kept,
Some qua superior to bliss,
That never, ever rhymes with "dove,"
And much more manly. Jesus wept.
You ever ride in a trireme, bud?
Better to fall on your sword or asp.
Drink while you can. Our day was done
The instant Old Baldy learned his grasp
Would not slip though slick with blood.
She can be my Rubicon.
Thursday, April 28, 2011
Late last evening
"Uh...Mr....uh...Upstum, this is Obviously Phony Name at Market Research Interminable with a short survey about your political opinions."
"I'm not an Anarcho-Syndicalist."
"So are you planning on voting in the upcoming mayoral election?"
"I'm not an Anarcho-Syndicalist. I'm not even a Wobbly. And I can't spell Czolgosz."
"All right. Well, Mr....uh...Ippstern, how would you rate the possibility you will be voting for Chris Romer in the upcoming mayoral election--absolutely certain, probably absolutely certain, or maybe absolutely certain?"
"If I can't vote for Baxter B. Stiles, I'm not voting. Goodbye."
"I'm not an Anarcho-Syndicalist."
"So are you planning on voting in the upcoming mayoral election?"
"I'm not an Anarcho-Syndicalist. I'm not even a Wobbly. And I can't spell Czolgosz."
"All right. Well, Mr....uh...Ippstern, how would you rate the possibility you will be voting for Chris Romer in the upcoming mayoral election--absolutely certain, probably absolutely certain, or maybe absolutely certain?"
"If I can't vote for Baxter B. Stiles, I'm not voting. Goodbye."
Wednesday, April 20, 2011
Waiting for Monday
He rose, but he did not feel resurrected.
He wasn’t doing Easter any more,
Just Sunday morning. If they wanted eggs,
He’d scramble; if they needed chocolate,
No problem; but what sermonizing dead
Itinerants had to do with plastic grass
And chicks collapsed in marshmallow--well, he
Knew, he really did. Osiris was
His middle name, practically, he wore
A golden sprig upon his sleeve and let
Sleeping gods lie, if that helped them advance,
Kings for a day in topiary groves.
Okay, he saw the sunrise--prairie light
Again this year. No matter where you are,
There always is an east. It’s over there,
East for a day. It’s always over there.
The children flexed their sugar-ridden thews
And made the windows clamor, all those panes
So light could be admitted and diffused.
It would move west. Perhaps the children, too.
And all of them would run out at the sea,
Awaiting new gods, who’d rise up from behind,
Out of the desert where the gods are born,
Into a heartland, where the gods subside.
He wasn’t doing Easter any more,
Just Sunday morning. If they wanted eggs,
He’d scramble; if they needed chocolate,
No problem; but what sermonizing dead
Itinerants had to do with plastic grass
And chicks collapsed in marshmallow--well, he
Knew, he really did. Osiris was
His middle name, practically, he wore
A golden sprig upon his sleeve and let
Sleeping gods lie, if that helped them advance,
Kings for a day in topiary groves.
Okay, he saw the sunrise--prairie light
Again this year. No matter where you are,
There always is an east. It’s over there,
East for a day. It’s always over there.
The children flexed their sugar-ridden thews
And made the windows clamor, all those panes
So light could be admitted and diffused.
It would move west. Perhaps the children, too.
And all of them would run out at the sea,
Awaiting new gods, who’d rise up from behind,
Out of the desert where the gods are born,
Into a heartland, where the gods subside.
Friday, April 01, 2011
From the mailbag:
RHE, you write like a dead guy. When you wake up, let me know.
Dear Unknown Correspondent,
That's just creepy. That would make me...what? Jesus? Osiris? Whitney Houston? A zombie?
Dear Unknown Correspondent,
That's just creepy. That would make me...what? Jesus? Osiris? Whitney Houston? A zombie?
Monday, February 21, 2011
From the mailbag
Dear Richard Epstein,
I accidentally read one of your poems while looking for the real Richard Epstein. I hope it never happens again.
Best wishes,
[name withheld]
I accidentally read one of your poems while looking for the real Richard Epstein. I hope it never happens again.
Best wishes,
[name withheld]
Thursday, February 10, 2011
Dialogue
Are you a famous poet?
There are no famous poets, not in the sense you mean.
Okay. Are you famous for a poet?
That's a good question. Well put.
Well?
Well what?
Are you?
No.
Oh.
There are no famous poets, not in the sense you mean.
Okay. Are you famous for a poet?
That's a good question. Well put.
Well?
Well what?
Are you?
No.
Oh.
Thursday, January 27, 2011
Non serviam
Everyone reverentially quotes JFK's famous inaugural "Ask not..."; no one seems to think about it. If people did, they'd see it's just plain wrong. It's those who live in fascist, monolithic states whose purpose is to serve the state: their primary question is, What can we do for our government? In the US it's supposed to be exactly the opposite. The government exists to serve the citizenry, not the citizenry to serve the government. We should be asking what our country can do for us, not what what we can do for our country. Of course the answer usually is, and should be, "Leave us alone."
RHE
P.S. No, I don't believe calling it our "country," rather than the state or the government makes any difference. Are you really going to draw some mystical distinction here? Do you really think that the citizens of a country exist to "serve" it?
RHE
P.S. No, I don't believe calling it our "country," rather than the state or the government makes any difference. Are you really going to draw some mystical distinction here? Do you really think that the citizens of a country exist to "serve" it?
Tuesday, January 18, 2011
Monday, January 10, 2011
Dead Grandpa Encounters Eschatology
It's grand here, says the sublime
Old Gentleman. No need
For innocence or crime,
Legs up to here or seed.
We're much too clean for lust,
And all our loins are dust.
I miss my loins, he says.
They kept me concerned at night.
They danced to fill my days.
I never asked respite.
I'd dance for stamps and coins,
Could I have back my loins,
Dead Grandpa says, but no
One flashes him satin knickers.
They book no titty show
For arrivisted slickers.
Dead Grandpa hums a psalm
Extolling holy calm.
Here at the Pearly Gates
He met a sadder sack
Just yesterday, called Yeats,
Who blessed the golden back
Of trollops, drunks, and tarts
And claimed the healing arts
Began in carnal sweats.
No disembodied voice
Can order man, said Yeats,
Who in a cloud of noise
Ascended. DG swears,
And trudges up shiny stairs,
Dodging the falling roses,
Hoping it isn't peace,
Among all posthumous choices,
In which his travails cease,
A beer, a broad, a sleep.
Dead Grandpa's climb is steep.
Old Gentleman. No need
For innocence or crime,
Legs up to here or seed.
We're much too clean for lust,
And all our loins are dust.
I miss my loins, he says.
They kept me concerned at night.
They danced to fill my days.
I never asked respite.
I'd dance for stamps and coins,
Could I have back my loins,
Dead Grandpa says, but no
One flashes him satin knickers.
They book no titty show
For arrivisted slickers.
Dead Grandpa hums a psalm
Extolling holy calm.
Here at the Pearly Gates
He met a sadder sack
Just yesterday, called Yeats,
Who blessed the golden back
Of trollops, drunks, and tarts
And claimed the healing arts
Began in carnal sweats.
No disembodied voice
Can order man, said Yeats,
Who in a cloud of noise
Ascended. DG swears,
And trudges up shiny stairs,
Dodging the falling roses,
Hoping it isn't peace,
Among all posthumous choices,
In which his travails cease,
A beer, a broad, a sleep.
Dead Grandpa's climb is steep.
Friday, December 24, 2010
the Total Abstinence Principal
"Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did not die, he was a second father. He became as good a friend, as good a master, and as good a man, as the good old city knew, or any other good old city, town, or borough, in the good old world. Some people laughed to see the alteration in him, but he let them laugh, and little heeded them; for he was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter in the outset; and knowing that such as these would be blind anyway, he thought it quite as well that they should wrinkle up their eyes in grins, as have the malady in less attractive forms. His own heart laughed: and that was quite enough for him.
He had no further intercourse with Spirits, but lived upon the Total Abstinence Principle, ever afterwards; and it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!"
He had no further intercourse with Spirits, but lived upon the Total Abstinence Principle, ever afterwards; and it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!"
Thursday, December 23, 2010
from the mailbag
"Aphrodite rhymes with nightie. Venus rhymes with penis. Artemis doesn't rhyme with anything. Hence the virgin goddess thing. If her name had been Regina, she wouldn't have stood a chance."
Okay. Thanks for that. Bullfinch skipped that part.
Okay. Thanks for that. Bullfinch skipped that part.
Wednesday, November 10, 2010
Responses
Dear Faithful:
Turns out my magisterium overlaps yours after all. Too bad.
Dear Dilettante:
No, "Silence, exile, and cunning" is not the same as "Don't ask, don't tell."
Dear Fellow Student:
I regret the death of Hyman Datz, who taught Johnson and Boswell. (Well, he was old enough. What I really meant was, He taught us Johnson and Boswell.) More an anecdotalist than a scholar, given to re-using notes so old, yellow, and brittle, they looked as though they had been excavated for the occasion, he still inspired students to read authors they would otherwise have ignored. The Augustans are not always an easy sell. They did not tweet; neither were they groovy. Between them Drs Datz and Chapman animated and reanimated the deserving dead. All these years later, and how I love an opportunity to say, "Sir, I have found you an argument; but I am not obliged to find you an understanding."
In grad school I first encountered Dr Datz in the Dept's main office. He said, "You're Epstein, right?" "Yes," I said. "I hear you're pretty smart," said Dr Datz. "Who wrote 'Thou hast conquered, O pale Galilean'?" I told him. "Well, most people don't know that," he said. I didn't tell him my father used to recite that at the dinner table. He only knew a couple poems. That was one. I'd also have been safe if Dr Datz had asked me, "Who wrote, 'Barrel-house kings, with feet unstable, Sagged and reeled and pounded on the table,'" but that wasn't going to happen.
Turns out my magisterium overlaps yours after all. Too bad.
Dear Dilettante:
No, "Silence, exile, and cunning" is not the same as "Don't ask, don't tell."
Dear Fellow Student:
I regret the death of Hyman Datz, who taught Johnson and Boswell. (Well, he was old enough. What I really meant was, He taught us Johnson and Boswell.) More an anecdotalist than a scholar, given to re-using notes so old, yellow, and brittle, they looked as though they had been excavated for the occasion, he still inspired students to read authors they would otherwise have ignored. The Augustans are not always an easy sell. They did not tweet; neither were they groovy. Between them Drs Datz and Chapman animated and reanimated the deserving dead. All these years later, and how I love an opportunity to say, "Sir, I have found you an argument; but I am not obliged to find you an understanding."
In grad school I first encountered Dr Datz in the Dept's main office. He said, "You're Epstein, right?" "Yes," I said. "I hear you're pretty smart," said Dr Datz. "Who wrote 'Thou hast conquered, O pale Galilean'?" I told him. "Well, most people don't know that," he said. I didn't tell him my father used to recite that at the dinner table. He only knew a couple poems. That was one. I'd also have been safe if Dr Datz had asked me, "Who wrote, 'Barrel-house kings, with feet unstable, Sagged and reeled and pounded on the table,'" but that wasn't going to happen.
Monday, November 08, 2010
Be Gone
They boil, the leaves. I can't imagine why.
They've nothing to do but wait a while, be gone,
And be forgotten. Oh. I guess I can.
Imagine, then, that birdhouse over there--
Well, you can't see it now. Even the scraps
Of wood and seed and feathers have been moved,
Displaced, replaced--we bought it at a shop,
Biodegradable and peasant built.
The peasants moved to cities, some of them,
Others, their hands removed on grounds of state,
Differently accommodated. Now
The blue tits are unhouseled, and the squirrels
Have moved to that manor down the block, where lunch
Is carefully replenished, day by day,
As many days as squirrels will ever know.
They've nothing to do but wait a while, be gone,
And be forgotten. Oh. I guess I can.
Imagine, then, that birdhouse over there--
Well, you can't see it now. Even the scraps
Of wood and seed and feathers have been moved,
Displaced, replaced--we bought it at a shop,
Biodegradable and peasant built.
The peasants moved to cities, some of them,
Others, their hands removed on grounds of state,
Differently accommodated. Now
The blue tits are unhouseled, and the squirrels
Have moved to that manor down the block, where lunch
Is carefully replenished, day by day,
As many days as squirrels will ever know.
Tuesday, November 02, 2010
From the mailbag
I don't understand a word you write. I used to think this was my fault, but now I think its [sic] you because you don't write very well.
Dear Anonymous: I suspect you are right. If I were you, I should stick to Great Poets, who always write clearly and simply, as though they were viewing a dead princess through pellucid water.
The child that sucketh long is shooting up,
The planet-ducted pelican of circles
Weans on an artery the genders strip;
Child of the short spark in a shapeless country
Soon sets alight a long stick from the cradle;
The horizontal cross-bones of Abaddon,
You by the cavern over the black stairs,
Rung bone and blade, the verticals of Adam,
And, manned by midnight, Jacob to the stars,
says Dylan Thomas. He's a great poet, and I'm sure you understood every word of that.
Clarity does not prove quality. Neither does difficulty. Keep in mind what Randall Jarrell said: "When you begin to read a poem you are entering a foreign country whose laws and language and life are a kind of translation of your own," and try not to judge the poem by your expectations.
Dear Anonymous: I suspect you are right. If I were you, I should stick to Great Poets, who always write clearly and simply, as though they were viewing a dead princess through pellucid water.
The child that sucketh long is shooting up,
The planet-ducted pelican of circles
Weans on an artery the genders strip;
Child of the short spark in a shapeless country
Soon sets alight a long stick from the cradle;
The horizontal cross-bones of Abaddon,
You by the cavern over the black stairs,
Rung bone and blade, the verticals of Adam,
And, manned by midnight, Jacob to the stars,
says Dylan Thomas. He's a great poet, and I'm sure you understood every word of that.
Clarity does not prove quality. Neither does difficulty. Keep in mind what Randall Jarrell said: "When you begin to read a poem you are entering a foreign country whose laws and language and life are a kind of translation of your own," and try not to judge the poem by your expectations.
Sunday, September 19, 2010
Ora pro nobis, author of The Idea of a University
The beatification and canonization of someone who lived in modern times makes a silly spectacle. John Henry Newman was a talented polemicist; and given his effect on thoughtful, but somewhat weedy, young men, he must have been a charismatic figure in his way. But do you believe he worked the requisite miracles? Do you think he's specially able to intercede for you with The Virgin Mary, this author of the novels Loss and Gain and Callista?
I suspect that if we had known St Francis or St Jude or St Patrick the way men within our memory knew Newman--that is, as someone to argue politics with over a beer--we'd find their sainthood equally preposterous. Who is playing advocatus diaboli in the canonization process? Has he spoken to Chuck Kingsley and Matt Arnold yet?
I suspect that if we had known St Francis or St Jude or St Patrick the way men within our memory knew Newman--that is, as someone to argue politics with over a beer--we'd find their sainthood equally preposterous. Who is playing advocatus diaboli in the canonization process? Has he spoken to Chuck Kingsley and Matt Arnold yet?
Friday, September 17, 2010
Talking to Myself
So I was talking to myself. "Self," I said, "this is disappointing." "Then why do you keep sending them out?" said my self. "At your age, you still hoping to be discovered?" "What's the alternative?" I said. "Don't send them out," said my self. "Oh," I said. "I never thought of that."
Sunday, September 12, 2010
It Appears There Are Swans on the Roof of That Office Building
The blancoed office building flaps,
covered in swans. The roof is white
with spots of orange, a flash of black
like semaphore. They’re never still.
Arrivals and departures seem
off schedule, bent by maintenance
left unperformed while bombardiers
brought down protest. Why here, why now,
why only on the roof, will be
explained in Union Halls, The Grange,
by Leda in her signet ring,
and CNN. A broken swan
comes tumbling 7 stories down.
Wide wings aflame in late-day sun
evaporate before they hit.
It’s love in dreams. The dying swan
pirouettes. Cobs and cobblers cry
to muted trumpets, shouldering
swansdown aside, startled and stuck,
lorelei high over black streets.
covered in swans. The roof is white
with spots of orange, a flash of black
like semaphore. They’re never still.
Arrivals and departures seem
off schedule, bent by maintenance
left unperformed while bombardiers
brought down protest. Why here, why now,
why only on the roof, will be
explained in Union Halls, The Grange,
by Leda in her signet ring,
and CNN. A broken swan
comes tumbling 7 stories down.
Wide wings aflame in late-day sun
evaporate before they hit.
It’s love in dreams. The dying swan
pirouettes. Cobs and cobblers cry
to muted trumpets, shouldering
swansdown aside, startled and stuck,
lorelei high over black streets.
Monday, August 23, 2010
Poetry Proper
Issue 1 of Poetry Proper is now available at
poetryproper.blogspot.com
Worth your attention, if only because Paul Maddern is co-editor and it contains 2 poems by one of my favorite poets.
poetryproper.blogspot.com
Worth your attention, if only because Paul Maddern is co-editor and it contains 2 poems by one of my favorite poets.
Thursday, August 19, 2010
No Pruning Hooks
Assuming it survived, the vine would pull
The back fence down, assuming that it throve
And neither burned nor drowned, nor in a fit
Of fad became a vegan course for pests,
Of which this yard has plenty—all the block,
If truth be told, and what are vines, if not
A place to sit and tell the truth and beat
Our swords to silent crepitude? And if
The fence should fall, then we could see beyond
Each other, all those pests beyond the pale,
As those within, superior and still
And pulled towards peace—that is, if it survived.
And if it failed, we still could have a fence.
The back fence down, assuming that it throve
And neither burned nor drowned, nor in a fit
Of fad became a vegan course for pests,
Of which this yard has plenty—all the block,
If truth be told, and what are vines, if not
A place to sit and tell the truth and beat
Our swords to silent crepitude? And if
The fence should fall, then we could see beyond
Each other, all those pests beyond the pale,
As those within, superior and still
And pulled towards peace—that is, if it survived.
And if it failed, we still could have a fence.
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