L'Eau Riders

  

"Il pleuve" is not the same

As rain come banging down.

The Seine is not the Strong

Brown God who came to town,

Arousing local song.

The worms rise, not the vers

De terre. It's just the way

Things are. The rainbow is

Our arch of triumph. Mud

Is everywhere the same,

The protein shake of blood.

Beaux Bois. e.g.

  

The trains still run through small, eccentric towns,

Mostly at night, the children, brave in their beds,

Dreaming of sleeping somewhere else, so young

They think that Indiana is escape—

Trains still pass by the silos, which are not

Mere symbols of desire, and they pass

What used to be a station, but is now

A home for unwed orphans, and they pass

Fireflies making fun of locomotives.

And nobody jumps the train. If it slows down,

That’s so the engineer can take a leak

On Illinois, grateful for the attention.

The children who wake up—well, more or less—

Will check if they are now emancipate.

They’re not; but tracks still run both ways at once.

Evening Soap

 

She wasn't even pregnant when she bore

Her brother's child (step-only, thus genteel).
What she had concealed, though, never was made clear.
She named him Topsy, he the ickle heir
To Gallantyme, the biggest ranch around.
(They hired their own weatherman and sent
Over to Ft. Lupino for their boots.)
Paterfamilias, he pitched a fit
And sent her out into a thunderstorm,
Where Little Escobar saved her and hers
And made them warm in simple peasant ways.
It took three days to track them to his hut.
Never was quite the same, some people said,
What with his herky-jerky gait. Not once
Did she look at PF. He took to drink
And fisticuffs. And that was the premiere.

Far From Lucky Fer

 

Lately, she said, I have been anywhere

But home. It has a name like Lucky Fer

Or Dottle on the Wold. I can’t recall.

Under the placard of the Wain & Wheel

I dropped a stitch; since, nothing’s been the same.

Except the weather. Only goats and old

Couples, planning their schedule of buffets,

Talk weather. I’ve not been home in a while,

There, where the ogres show off photographs

Of me in rompers, me in maryjanes,

Me at the top of Mt. St. My Backyard.

Fools and hearses live there. At my day school

The smartest girls are crying loudest. Roughs

Trade your pocket change for their oaths and blows.

Chickens display their legs; the best boys beat

Time with them. Down, they holler. Sweet, get down.

Bastard’s the town for me, a red-brown mess

Of clay and jalapeños. I have changed

My name for numbers. I am 26

This week. Next time it may be more or less,

The number of my blessings on the road.

Damme & Blast, still working on my wheels,

I won’t shove off tonight. Texas must wait.

Nightlife is like a punishment. I’ll sleep,

She says a bunch. Under the swinging sign

of Fills-A-Lot, she asked for regular

And washroom. She said, Knowing when you need

New belts and filters, all your fluids topped,

Is like a transplant: life beats in me yet.

She was on foot and headed to the east.

I been there, she said. I been everywhere.

And if you’ll cash my check, I will be gone.

Family Matters

What do you say to Ishmael,

The spurned child, the second best—

Sorry, lad, but your mom was just

A handmaiden, a tweeny like,

And Sarah was godawful pissed?

Father a race, why don't you? That

Would show him, Father of his kind.

They made it to Vienna, but

It's couches there, not ottomans.

One each. Don't pus. And Isaac, he

Got to be a major moral bit:

The proof of how you love someone

Is where you'll put the knife when told.

That ram was someone's Ishmael,

A woolly spot of sacrifice.

How many times did Isaac ask

His dad to have a catch, you think?

When cards arrived for Ishmael—

Birthday, Christmas, 4th of July—

Mom tore them up and threw them out.

Ishmael gathered up the bits.

Under Groby Great-Tree

 

This appeared in Iambs & Trochees.

This is the anodyne. It dogs
The hand that bit you. Reigning frogs
fall upwards, then, and abdicate.
This is the awkward watch, the late
piecemeal of time your father handed
off, before the day demanded
help, before the poison took.
Listen. Babbles. On Groby Brook
the paper boats all have departed:
sodden, sank, too heavy hearted
to arrive. The guests have begun
to wander off, and one by one
they seek release in solitude,
but not in love, nor meat, nor crude
imaginings of quick relief.
There is no pain beyond belief.
In Groby House, on unmade beds,
the servants set down weary heads,
and slowly the predicted dark
begins to cover Groby Park.