So difficult, the stones keep changing sides,
And the path gets lost, ambitious, but confused.
Like immigrants in flannel shirts. In Texas.
Once knowing where it was, it was The Way
To Grandma’s House or Candyland or Memphis,
A Middle Kingdom where the blues were born.
It took them to the library; it led
A dick to be a mayor, sometimes birds
In talking trees; and it was Far from Home.
Now, it declares for tessellated mud.
Around each other, kids in pjs, dark
Where light should be, all damp instead of cocoa.
They miss their path. They were supposed to be
Mapquested to a city on the hill,
Where brioche stands and wiener carts and sweet
Ravioli salesmen advertised life.
This is more like the Chiller Double Thriller,
Without the ads for English, She Is Simple.
This is a nightlight, cold, with extra teeth.
Not every little boy can be a prince.
Not every waitress wants to marry up.
Poems by Richard Epstein. Not much commentary, only one picture (sorry, Alice), and little disruption: just a place to find poems by Richard Epstein
Wednesday, June 06, 2018
Saturday, June 02, 2018
Plots and Sods
Older than all of us, they say,
The little blades of grass. They'll wait.
Concrete may spall and roots expand
And fire hydrants blow away.
Smaller wins out. And ain't it great,
They say, that they are quite unmanned
By frost and promises? They brown.
Or they're lopped off, sometimes refaced
By maisonettes, by diamond shops,
And yet they farm. They go to town.
They have seen cenotaphs replaced
By plots and sods. Time never stops.
The little blades of grass. They'll wait.
Concrete may spall and roots expand
And fire hydrants blow away.
Smaller wins out. And ain't it great,
They say, that they are quite unmanned
By frost and promises? They brown.
Or they're lopped off, sometimes refaced
By maisonettes, by diamond shops,
And yet they farm. They go to town.
They have seen cenotaphs replaced
By plots and sods. Time never stops.
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