from Days of Our Lives

15
The chemlab flash fired in a sunburst
of eyebrows and steam, the alarms claiming
the end of class, the sprinklers playing April,
and happy singees coughing into the sunlight.
Learning seeps in, pore-wise, or explodes in-
appropriately in the absence of
loco parentals. So under dormers,
beneath graduation gift patchwork quilts,
the love of clear-cut classes multiplies
beyond reason, without regard, ungraded,
and altogether traditionally.
If by the next day the glass is swept up,
the puddles all expunged, the windows boarded,
youth blooms eternal, for a little while.

from Days of Our Lives

13
At the hoity-toity entrance to the George
Cinq, a grand guy, looking George his own
self, opens the door, and bows me inside,
past Ms Deneuve or Ms Bardot or someone,
a U-Drive sabled hooker, as it happens.
The desk sneers at my jeans and cowboy boots,
just as he ought, unmottled by abuse
in perfect idiomatic French. He waves
a boy over--this creaking, spavined geezer
buttoned up like an organ-grinder's monkey.
He barely lifts my beat-up leather gladstone.
The concierge sneers, but blushes as I pass,
Bardot attentive to the suite assigned.
I hear this on the Middle Fork of the Salmon,

14
the yarning boatman bitching that his degree
in fluvial geomorphology
wasn't worth a sou in Paris, grinning
that he'd said, "sou." Explaining to a dude
that this entire valley had been dug
as part of a WPA project by
starving painters and that the river flowed
under the ocean, hooking up with China,
he said that the worst was, when she finished up
and smoothed her francs into her reticule,
she wanted to discuss her pension plan
and whether ECUs would appreciate
against the yen. Them Frogs, he said, and spat
his plug against the current, steering right.

The Wells of Time

This will transport you to the elder times,
Fire like slabs of meat and smells so strong
They pound the air in dactyls. In a pinch
You can recite your “Please, Sir, send me home.”
It’s where the heart is, but no wolverines
Or kettles of boiling grease or water nymphs.
What would you give to have your teeth decay
Authentically, to wear a powdered wig,
To spread your plot with nightsoil, or to fetch
A fair price on the open market? Home
Is what you looked like when you were a boy;
But now you’re not. Now you could almost stay
Old as the hills when hills were young, and you
Were cold and muddy. Please, Sir, send me home.

Life is What You Make It, Innit?

With names like Entropy and Bouillabaisse,
What did you hope of them? They hit the books
Until they bruised their knuckles; they despaired
Of willow, horsehide, pigskin, ping; and pong
Trailed after them like clouds of midges. Good
Boys, strong boys--maybe not Peregrine Fred--
Like freckled trout in dappled streams. They fell
Off the backs of lorries, whence they were rescued
And made to peel graffiti from the wall.
"What do it mean?" they asked each other. "Man
Is born in chains and everywhere tattooed."
No one would tell them, so they pinched the wall
And flogged it for a couple tabs of Spax.
"What do it mean?" they asked about the blue
Atomic cloud, languid above their heads,
Ate each an egg for breakfast, went home, died,
And rose next morning to be done again.

Google's quote of the day,

from Flannery O'Connor: Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them.

Thank you, Ms O'Connor.

Le Bistro Petit Mal

You know the one about the whore,
The wooden teeth, and Sully's goat?
I heard it just last night, a corps
Of lawyers, rich of scotch and throat,
Enjoying themselves. The nachos went
Well with their ties. We got and spent.

Like Wordsworth, but they didn't laugh,
And I was showing off, besides.
They sliced the hired help in half
And left them for the cleansing tides,

But with a good tip. I split so they
Could do me, too, if they'd a mind.
Heroes at rest. The gods at play.
Some nymphs abandoned. Daphne pined.

Congress is Happier Than Your Hand

1.
It isn’t death, whatever princes say,
Not when I dreamed of sandwiches, and kites
Fell on us all, like panicked meteors,
Leaving us naked at the first alarm.
These sheets don’t wind. These covers aren’t for keeps.

2.
Conceive of dirt as history, says Prince.
If you don’t dust, you’re worth a Ph.D.
In Native Studies: who you were Way Back,
Who was the Who before you were, and who
Taught grease stains how to kiss my lady’s hand.
It isn’t Alexander in a bung,
Not necessarily, but someone’s some
Distance away now, never regretful, made
A building block, like calcium or beets.
Don’t sweep: it might be love. It might be sense
Of history in Bag Type H, sucked up.

3.
We are not quite immune. This ham was once
A pig among his peers, a Gadarene,
Alliteration challenged, equaller;
And now a sandwich of most perfect gist,
Chap-fallen, cheesy. We shall all be toast.
If better not to be done, then pourquoi
Are pillows only broad enough for heads
Solus and undistinguished in the dark,
Though full of these dramatic congresses

With faces blurred? You know it isn’t death.

Among School Children

I was invited here to speak
About the labyrinth of art,
The darkest places right in here
(I tapped my fist upon my heart),
The places where the adverbs seek
The mortises which disappear.

I haven’t got a thing to say.
(They didn’t look a bit surprised.)
All I can do is write and read
And keep my heartbreak supervised.
That lights, but can’t provide, a way
To where the joists and tendons bleed.

Monks are men as incomplete
As soldiers, chaste of blood or soul.
How long must half a world compete
With half a world? How long the toll
Of promise must deception meet?
We are dying to be whole.

Questions? (But they were all asleep,
Each head upon a floppy stem.)
Someone? You in the back, perhaps.
(But I was not disturbing them.)
I was that public man who’d keep
Impinging on their private naps,

Dreams of the Dairy Queen, the Slut
Of Winter Park or Hollywood.
Dreams of the Motorcycle Man,
With 6-pack abs, and far too good
For others. Every eye had shut.
I say, The heart’s an empty can,

Drained of a dram and pissed upon.
(Somebody heard one word I said
And tittered.) I’ll be going soon.
When all of you are good and dead,
Be grateful for a Denver dawn,
And praise the stars which ring the moon.

Later the secretary sent
A thank-you note they each had signed
(Though printed with the class PC).
Ensconced in my establishment,
I was embarked on sonnetry,
And books brought other books to mind,

And other books. I had not told
The class about the unblent yolk
Or dancing trees. I had not said
That art was not like growing old,
And no one ever got the joke,
And I too late, and likely dead.

Fair play it was, and just as well.
Brave lads who never shed a tear
And girls repining for a glance,
They speak in tongues I cannot hear
The lessons they were made to tell.
I write when I have half a chance.

Pluvial Morphology

Someone has painted letters on the walk.
The rain invents a ouija board. It points
LQK ATT, precatory and sibylline,
But soon effaced in promiscuity.
The walk now stands for everything at once,
Like dreams and abstract artifice. The rain,
It raineth only some days here, a treat
Of dissolution. Carry me away,
Its strain, its burden. We must quite forget
We all go somewhere: somewhere in the sea
O REASON NOT THE NEED is spelled in kelp.
The silt holds every sound that can be said.

And This Was Only Monday

What do you say when trees begin to dance –
I see you, though I don’t know what you are?
Look at the starlings fall out of the trees,
Indignant anyway, now mortified.
There in the moonlight, starlings on the grass,
What will they tell their mothers? I was mugged
By Terpsichore? The world is just as strange
At Adam’s desk, where the blue screen of death
Devoured a fortnight’s work complacently,
And he has organized Consuela’s name
In paperclips. A pigeon on the ledge
Begins to sing a Kindertotenlied.

If you have to choose

Well, yes, you can find me on Facebook, and I'll be happy to note your favorite movies and relationship status; but if your time is limited, and you have to choose, visit me here. Here be poems.

Cardiac Arrest

When we were young, when we were less,
When you were poised and I a mess,
We were as we are now, apart,
Unequal portions of a heart
Broken for decoration, cute
As flowers trimmed above the root.
And one of us flourished. One did not.
But which was which, and which forgot,
I do not say. You do not know.
The flowers dried, the roots still grow.